My contribution for The Bloomsbury Handbook of Sound Art

It’s out! I am honoured to have a chapter in this new book edited by Sanne Krogh Groth and Holger Schulze. My chapter “Audiogrammi of a Collective Intelligence. The Composers-Researchers of S2FM, SMET, […]

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Recent developments of our APDS project [Analyse des Pratiques du Design Sonore]: 28/29 Nov.

Next week, Nicolas Misdariis, Frank Pecquet, Nicolas Donin, David Fierro and I, will present the last developments of our project: “Pratiques et praticiens : résultats du projet APDS [Analyse des […]

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LIVE-ELECTRONIC MUSIC. COMPOSITION, PERFORMANCE, STUDY (Routledge)

I am pleased to announce that the book LIVE-ELECTRONIC MUSIC. COMPOSITION, PERFORMANCE, STUDY (Routledge), edited by Friedemann Sallis, Valentina Bertolani, Jan Burle and me, is now available: https://www.routledge.com/Live-Electronic-Music-Composition-Performance-Study/Sallis-Bertolani-Burle-Zattra/p/book/9781138022607 Contents (340 […]

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“Can Composition and Performance be Research?” Forum, November 25th, London

Try to imagine a research funding application from Arnold Schoenberg. Research question: ‘can I make music in which all pitch classes are played equally often?’. In his article ‘Composition is not […]

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Alternative Histories of Electronic Music

International Conference: Alternative Histories of Electronic Music: 15–16 April 2016, The Science Museum Research Centre, Queen’s Gate, London. Call for papers (Deadline: 31 October). The story of the genesis and development of electronic/electroacoustic […]

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